We did a two-day Graph Commons workshop at Transmediale, Feb 4-5 2016, Berlin. Participants built and discussed network models of complex civic issues, using their own research data as well as data they collectively compiled during the workshop.
View the documentation on the Graph Commons Journal
Also you can listen “The map is the territory“, our post-workshop conversation with Jussi Parikka archived by Voice Republic in Transmediale.
Networks of Dispossession is on show at the MAXXI Museum “Istanbul. Passion, Joy, Fury” exhibition from 11 December 2015 to 08 May 2016. Along with the whole map printed on the wall, 12 sub-graphs about particular issues were selected and displayed under the wall print.
I will be doing an open meeting and a workshop titled “Creative and Critical Use of Complex Networks” at the 6th Moscow Biennial on September 29th and 30th, from 15:00 to 16:30. Participants will map critical relationships about the issues that impact them and their communities. The lecture and the workshop will focus on the design and understanding of complex networks through mapping and visual analysis in order to expand the individual’s thinking about the network as a creative and critical medium.
1st session on Sep 29th 15:00-16:30 will be a lecture and discussion on how to map and read network maps.
2nd session on Sep 30th 15:00-16:30 will be hands on mapping with Arikan. Also, the Graph Commons platform (https://graphcommons.com) will be used during the workshop for mapping networks. Bring your laptop if you want to try it.
The resulting works will be presented within the documentary exhibition of Moscow Biennale 2015.
Graph Commons organized a two-day hackathon on structured journalism and network mapping at the Chamber of Architects in Istanbul. Participants created semantic network models on topics in the field of human rights, civil society, and journalism. They created network maps and built data tools to compile relatively big data from available sources and turn them into graph databases in order to map and analyze the complex issues at hand.
An important outcome of the event was the initialization of the rights data protocol, an open data structure scheme that could enable information flow particularly between civic research projects in order to prevent recurring data work and reinforce their impact. It would also decentralize civic research data by moving it between applications and projects. No need to say, such a protocol can only flourish when used by many constituents. More on this later.
View the selected work on the hackathon website.
Becoming a Book: Ibraaz Book Launch
Saturday Sep 5, 2015 16:00
Ibraaz and the Kamel Lazaar Foundation are pleased to announce the launch of Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East, the second volume in their Contemporary Visual Culture from the Middle East series.
Edited by Anthony Downey and published by I.B. Tauris, Dissonant Archives is the first book to consider the various ways in which contemporary artists from North Africa and the Middle East are utilizing and disrupting the function of the archive and, in so doing, are simultaneously highlighting a systemic and perhaps irrevocable crisis in institutional and state-ordained archiving across the region.
Dissonant Archives features writing, interviews and original artwork by internationally renowned academics, curators, activists, filmmakers and artists including Emily Jacir, Walid Raad, Jananne Al-Ani, Basel Abbas and Ruanne Abou-Rahme, Mariam Ghani, Zineb Sedira, and Akram Zaatari.
The launch will be preceded by a panel discussion with contributions from Vahap Avşar, Burak Arikan, Meriç Algün Ringborg and Başak Şenova.
For further information on the publication, click here.
The panel discussion will be held in English.
I will be participating in the Le Printemps des Laboratoires #3 – Performing Opposition event with a talk on June 6th, and will do a two-day Graph Commons workshop on June 4-5.
“Bloggers, Hackers, Wikileakers, Whistleblowers, Youtubbers : communautés intentionnelles et réseaux sociaux”
Saturday June 6th, 5pm-7:30pm
With Marie Lechner (journaliste), Burak Arikan (artiste), Brian Holmes (philosophe, critique d’art, activiste), Mathias Jud et Christopher Wachter (artistes), et Nathalie Magnan (média-activiste).
Some words on my talk:
Creative and Critical Use of Complex Networks
By experience, we have the sense that it is the networks where power resides and circulates. Yet, we end up failing as active agents who have the means of criticizing networks that are large and complex. In this presentation, I will discuss this issue through the recent collective mapping project “Networks of Dispossession” and the online platform for collective mapping of networks, Graph Commons.
I will be talking about my recent works and processes as part of the “Something You Should Know” series at EHESS in Paris, Wednesday June 3rd at 19:00.
ÉCOLE DES HAUTES ÉTUDES EN SCIENCES SOCIALES
FONDATION MAISON DES SCIENCES DE L’HOMME
SOMETHING YOU SHOULD KNOW: ARTISTES ET PRODUCTEURS AUJOURD’HUI
Patricia Falguières, Elisabeth Lebovici et Nataša Petrešin-Bachelez
Mercredi 3 juin 2015 à 19h
* Image: Artist Collector Network – Network map of collectors and artists based on the relationship of being in an art collection. Installation view from Borusan Contemporary Istanbul, 2011
Artist Collector Network is on view at the ‘Human Economy‘, the new exhibition of Paris HEC’s Contemporary Art Space, from 20 November 2014 to 6 March 2015.
Curator: Paul Ardenne, Associate curator: Barbara Polla
Artists: Burak Arikan | Conrad Bakker | Yann Dumoget | Jean-Baptiste Farkas | Hervé Fischer | Sean Hart | Marc Horowitz | Joel Hubaut | Pierre Huyghe | Ali Kazma | Florent Lamouroux | Tuomo Manninen | Adrian Melis | Deimantas Narkevičius | + Jorge Orta Lucy | Jean Revillard | Camille Roux | Edith Roux | Benjamin Sabatier | Julien Serve | Zoë Sheehan Saldaña | Paul Souviron
This exhibition aims to take stock of the relationships visual artists have today with the world of business and, more broadly, with the economy in this era of globalization. There are two types of approaches: the ‘visual’ input into the world of business, the economy and production, and playing with economic indicators and the world of business. The emphasis here is on creativity, and the gaze of the artists invited for this exhibition tends to humanize the workplace and the economy. People become conscious, lucid, and concerned participants.
Slides below are from my talk at Eyeo 2014 with notes and links are included. Download as PDF.
We are doing a two day workshop titled “Cartographies of Power” in the Sao Paulo Biennial.
Cartographies of Power
September 11-12, 2014
At the Sao Paulo Biennial building.
The distribution of power and knowledge is one of the crucial questions of our contemporary moment, yet many of the interconnections and dependencies within the elite are opaque or invisible to most citizens. Making pictures and diagrams of power structures and access to knowledge might allow us all a clearer view of how decisions are made and whose interests are being promoted when power is exercised inside and outside government. Two artists, Burak Arikan and Erick Beltrán and collaborator Zeyno Ustun have been interested in the representation of power, governance and history for some years. They have each produced their own different cartographies to map the links between elites and the way power flows through the control of access to information. This 2 day workshop will start by introducing each artists’ projects and then proceed by working together with the group to determine suitable subjects for mapping power, governance and history in Brazil. The intention is that at the end of the workshop participants will have an understanding of the tools needed to map their own interests or to work collectively on a Brazilian cartography.
We will be using the Graph Commons platform for network mapping exercises.
See the Workshop Archive
More info on the Cartographies of Power