Becoming a Book: Ibraaz Book Launch
Saturday Sep 5, 2015 16:00
Ibraaz and the Kamel Lazaar Foundation are pleased to announce the launch of Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East, the second volume in their Contemporary Visual Culture from the Middle East series.
Edited by Anthony Downey and published by I.B. Tauris, Dissonant Archives is the first book to consider the various ways in which contemporary artists from North Africa and the Middle East are utilizing and disrupting the function of the archive and, in so doing, are simultaneously highlighting a systemic and perhaps irrevocable crisis in institutional and state-ordained archiving across the region.
Dissonant Archives features writing, interviews and original artwork by internationally renowned academics, curators, activists, filmmakers and artists including Emily Jacir, Walid Raad, Jananne Al-Ani, Basel Abbas and Ruanne Abou-Rahme, Mariam Ghani, Zineb Sedira, and Akram Zaatari.
The launch will be preceded by a panel discussion with contributions from Vahap Avşar, Burak Arikan, Meriç Algün Ringborg and Başak Şenova.
For further information on the publication, click here.
The panel discussion will be held in English.
I will be participating in the Le Printemps des Laboratoires #3 – Performing Opposition event with a talk on June 6th, and will do a two-day Graph Commons workshop on June 4-5.
“Bloggers, Hackers, Wikileakers, Whistleblowers, Youtubbers : communautés intentionnelles et réseaux sociaux”
Saturday June 6th, 5pm-7:30pm
With Marie Lechner (journaliste), Burak Arikan (artiste), Brian Holmes (philosophe, critique d’art, activiste), Mathias Jud et Christopher Wachter (artistes), et Nathalie Magnan (média-activiste).
Some words on my talk:
Creative and Critical Use of Complex Networks
By experience, we have the sense that it is the networks where power resides and circulates. Yet, we end up failing as active agents who have the means of criticizing networks that are large and complex. In this presentation, I will discuss this issue through the recent collective mapping project “Networks of Dispossession” and the online platform for collective mapping of networks, Graph Commons.
I will be talking about my recent works and processes as part of the “Something You Should Know” series at EHESS in Paris, Wednesday June 3rd at 19:00.
ÉCOLE DES HAUTES ÉTUDES EN SCIENCES SOCIALES
FONDATION MAISON DES SCIENCES DE L’HOMME
SOMETHING YOU SHOULD KNOW: ARTISTES ET PRODUCTEURS AUJOURD’HUI
Patricia Falguières, Elisabeth Lebovici et Nataša Petrešin-Bachelez
Mercredi 3 juin 2015 à 19h
* Image: Artist Collector Network – Network map of collectors and artists based on the relationship of being in an art collection. Installation view from Borusan Contemporary Istanbul, 2011
Artist Collector Network is on view at the ‘Human Economy‘, the new exhibition of Paris HEC’s Contemporary Art Space, from 20 November 2014 to 6 March 2015.
Curator: Paul Ardenne, Associate curator: Barbara Polla
Artists: Burak Arikan | Conrad Bakker | Yann Dumoget | Jean-Baptiste Farkas | Hervé Fischer | Sean Hart | Marc Horowitz | Joel Hubaut | Pierre Huyghe | Ali Kazma | Florent Lamouroux | Tuomo Manninen | Adrian Melis | Deimantas Narkevičius | + Jorge Orta Lucy | Jean Revillard | Camille Roux | Edith Roux | Benjamin Sabatier | Julien Serve | Zoë Sheehan Saldaña | Paul Souviron
This exhibition aims to take stock of the relationships visual artists have today with the world of business and, more broadly, with the economy in this era of globalization. There are two types of approaches: the ‘visual’ input into the world of business, the economy and production, and playing with economic indicators and the world of business. The emphasis here is on creativity, and the gaze of the artists invited for this exhibition tends to humanize the workplace and the economy. People become conscious, lucid, and concerned participants.
Slides below are from my talk at Eyeo 2014 with notes and links are included. Download as PDF.
We are doing a two day workshop titled “Cartographies of Power” in the Sao Paulo Biennial.
Cartographies of Power
September 11-12, 2014
At the Sao Paulo Biennial building.
The distribution of power and knowledge is one of the crucial questions of our contemporary moment, yet many of the interconnections and dependencies within the elite are opaque or invisible to most citizens. Making pictures and diagrams of power structures and access to knowledge might allow us all a clearer view of how decisions are made and whose interests are being promoted when power is exercised inside and outside government. Two artists, Burak Arikan and Erick Beltrán and collaborator Zeyno Ustun have been interested in the representation of power, governance and history for some years. They have each produced their own different cartographies to map the links between elites and the way power flows through the control of access to information. This 2 day workshop will start by introducing each artists’ projects and then proceed by working together with the group to determine suitable subjects for mapping power, governance and history in Brazil. The intention is that at the end of the workshop participants will have an understanding of the tools needed to map their own interests or to work collectively on a Brazilian cartography.
We will be using the Graph Commons platform for network mapping exercises.
See the Workshop Archive
More info on the Cartographies of Power
We’ve kicked off a new collective mapping work on the processes that shape the evolution of the Internet, Mapping Internet Governance.
Mapping Internet Governance
Already a pressing global issue, internet governance debates are taking place across a range of different fora often referred to as an ecosystem. With the revelations of mass government surveillance, the frequency, intensity, and stakes of internet governance debates have heightened in the last year and this trend promises to continue. At the core of such debates is the future of fundamental rights, such as freedom of expression, privacy, access to knowledge, and access to affordable internet, but also how to decision-making process can become more open, transparent, participatory, accountable, and democratic.
Mapping Internet Governance, a collective data compiling and mapping project, traces the relations between the internet governance events, processes, and organizing institutions. The map covers the past 2 years with an effort to better focus civil society advocacy by understanding where main discussions about global internet governance are taking place.
This mapping is a work in progress. It is meant to be a living document, reflecting developments in the dynamic internet governance space, including evolving relationships between institutions and processes. We are seeking input for additional information to keep the mapping up-to-date and reflect the current state of play.
Please send your input to: firstname.lastname@example.org
Mapping Internet Governance is initiated by Joana Varon, Deborah Brown, Lea Kaspar, Burak Arikan. Mapping is powered by the Graph Commons platform.
I will be giving a talk on the creative and critical uses of complex networks, tomorrow at Eyeo Festival in Minneapolis, more info below, come say hi. Also we will do a panel session on Data, Art & Ethics in a Post-Snowden World with Ashkan Soltani, Jer Thorp, Kate Crawford, and Sarah Williams.
Critical Network Mapping
Wednesday / 11:35 — 12:20 / McGuire Theater
By experience, we do have the sense that it is networks where power resides and circulates. Yet, we end up failing as active agents, who, hands on, have the means of criticizing complex networks. Arikan’s talk will discuss this issue through his recent work, starting from MyPocket (2008) raising questions on the predictability of everyday living; discussing the invisible power dynamics within the contemporary art ecosystem with Artist Collector Network (2011-); traversing the visual language of official tourism commercials with Monovacation (2013); finally narrating a selection of network maps collectively created on Graph Commons, platform for collaborative network mapping and a knowledge base of relationships that Arikan has been maintaining since 2011.
Panel: What a Difference a Year Makes: Data, Art & Ethics in a Post-Snowden World – Ashkan Soltani, Burak Arikan, Jer Thorp, Kate Crawford, Sarah Williams
Wednesday / 4:00 — 4:45 / Cinema
On June 5th, 2013, The Guardian announced the leak of thousands of classified documents by NSA contractor Edward Snowden. These revelations (and others) have sparked a global conversation about data, privacy & ethical responsibility. Join a group of artists, theorists, researchers and practitioners for a discussion on what has changed, and how the Eyeo community can learn from and contribute to the ongoing dialogue.
I will be doing a 3 hour Network Mapping and Analysis Workshop at ITP CAMP 2014. Please RSVP if you’d like to participate in the workshop.
Thursday, June 5
This is a 3 hour workshop focusing on the design and understanding of complex networks through mapping and visual analysis in order to expand the individual’s thinking about the network as a creative medium. Starting from hand drawn simple graph diagrams, participants gradually build complex network models. Emphasis on network mapping, modeling, relational thinking, protocol authoring, centrality analysis, clustering analysis, and information design. Participants learn the most through observing and extracting networks from their area of interests, collaborative mapping, sketching, and discussing diagrams.
1hr – How to map networks? Introduction lecture, theory and discussion.
1hr – Mapping: Hands on drawing and using Graph Commons.
1hr – How to analyze networks? Presentations and analysis.
Graph Commons is used at the workshops for collaborative / group mapping, so bring your laptops!
More information & Workshop Archive
* Photograph from the Creative Networking Workshop at Jeff Projects Istanbul, Aug 8th, 2013.
A schema designed to utilize Bitcoin cryptocurrency for secure and simple electronic voting. In the heart of the schema lies the Blockchain, so all the processes of the system are open to public audition.
All actors of the election should be able to have a Bitcoin account.
All actors of the election should be able to secure their voting computer.
Block Chain: Bitcoin public transaction list
0.00000001 Bitcoin: the smallest unit of Bitcoin possible
BTC: Abbreviation for Bitcoin currency
0. Election Authority declaration
Election Authority publicly announces its Bitcoin address.
1. Voter registration
Voters show a valid ID and provide their Bitcoin address to Election Authority, who sends them 0.00000001 BTC in return. All voter Bitcoin addresses are publicly listed in the Blockchain. To carry out citizens’ right to vote anonymously, the Election Authority keeps the IDs to prevent double registration but does not keep a record of association between the IDs and the provided Bitcoin addresses.
2. Candidate registration
Candidates provide a valid ID and their Bitcoin address to Election Authority, who sends them 0.00000002 BTC in return. All candidate Bitcoin addresses are publicly listed in the Blockchain. As opposed to voter registration, Election Authority keeps and publicly announces a record of association between each candidate ID and their provided Bitcoin address. Candidates are obliged to announce their Bitcoin addresses.
3. Starting the election
Election starts when Election Authority sends 0.00000001 BTC to all the voters’ Bitcoin addresses publicly listed in the BLockchain.
Voters send 0.00000001 BTC to their preferred candidate’s Bitcoin addresses publicly listed in the Blockchain.
5. Ending the election
Election ends when all voting transactions are processed for each candidate in the Blockchain. A time limit can be also put in place.
6. Election result
Election result is obtained by counting all valid voting transactions from the registered voting addresses to the registered candidate addresses in the Blockchain. Any other transaction after the first 0.00000001 Bitcoin transaction from the voter to the candidate is considered disqualified. The whole process from the registrations to the voting and counting the results is open to audition by anyone.
This basic schema can be applied today with the existing Bitcoin infrastructure. One can develop applications and interfaces for better user experience of this system. To contribute and improve the schema please send your comments and questions to the comments section of this page, or feel free to fork the repository and send pull requests.
The MIT License (MIT)