The system of fashion is set on the continuous change of styles and speculations of the image of clothing that are represented through mass media and network of individual expressions. This work aims to explore the effect of the fashion system by creating a micro fashion network with the basic elements color and time.
A fixed camera and the custom software processed and stored dominant colors of moving people in Cambridge’s busy neighborhoods. Similar colors connected to each other form a large color network over time. As the network grow, the new vertices are connected to existing similar colors; because of this preferential attachment model, we see the power law distribution, and highly connected dense color hubs in the resulting images. In the result demonstration, three different artistic representations put side by side: captured human figures, color information as abstract boxes, and the complex network of colors.
In collaboration with Ben Dalton.