Bu sitede Dağıtık Atakla Servis Kitleme (DDos attack) yok. Kendi blogumda artık Türkçe de yazıyorum zamanım el verdikçe. Şimdi neler oluyor:

1. Artık blog.burak-arikan.com adresi burak-arikan.com/blog olarak değişti.

2. burak-arikan.com dinamikleşti. Tüm içerik için tek bir RSS besleme var. İster yeni proje, ister yeni dökümantasyon, ister yeni bir röportaj, konuşma, workshop, blog yazısı, duyuru olsun tüm mallar tek bir RSS beslemeden yayınlanıyor. RSS okuyucularınızı güncelleyin => http://burak-arikan.com/feed

3. İki dilli arayüz ve içerik. English ve Türkçe.

4. Şu anda New York’dayım, sıcak ve nemli. Ayın ikinci yarısı San Francisco. Eylül Istanbul. İlk haftası Venedik olabilir. Ekim askerdeyim. Kasım “Internet as a Playground and Factory konferansı.

5. 2010 için yeni işler başladı. İster burdan takip edin ister makina okunaklı (machine readables) dünyadan.



Two years ago at TimeWarp we performed the Meta-Control set for the first time. Since then it’s been developed further, practiced more, and forked to various versions. Today we will perform these fresh Meta-Control pieces at TimeWarp 09 on a bright LCD screen setup.

Also as part of the TimeWarp Festival we participated in the panel Forum Kreative Stadt where we discussed how Ali Demirel and I did long-distance collaboration while building the Meta-Control set. It was moderated by Bernd Fesel. Other participants included Gerfried Stocker of Ars Electronica, Kai Beiderwellen, Jochen Hörisch, Monika Fleischmann, and Wolfgang Strauss.

Photographs from last night’s image check at the venue.



If you are near New York this Friday by any chance, please stop by our show titled “New Media:Why” at Neuberger Museum of Art. I participate with MYPOCKET, other participants are Margot Lovejoy with her cybernetic confession booth, Douglas Irving Repetto with his humongous networked sound installation, and Paul Vanouse with his fantastic DNA racing “Latent Figure Protocol”. The show is curated by Jacqueline Shilkoff, associate Curator/New Media and the Digital Museum. Also see the preview on New York Times:

“‘New Media’: Brain Trees, DNA, Receipts … and Bells”, Susan Hodara, New York Times
http://www.nytimes.com/2009/03/08/nyregion/westchester/08artwe.html

Above is a growing set on Flickr, starting with installation photos and will progress with the documentation of the show.

New Media: Why
March 15 – June 28, 2009
South Gallery

New Media: Why is the fifth in a series that explores aspects of technology-based art. The exhibition will investigate how artists use dynamic, interactive technologies to reveal the logic, structure, and beauty inherent in experimental, non-traditional applications. The exhibition will be presented in the South Gallery and online where audience participation is encouraged. Artists include Burak Arikan, Margot Lovejoy, Douglas Irving Repetto, and Paul Vanouse.

“MYPOCKET”, Burak Arikan
“Confess”, Margot Lovejoy
“Nearly Human”, Douglas Irving Repetto
“Latent Figure Protocol”, Paul Vanouse

New Media: Why was curated by Jacqueline Shilkoff, Associate Curator/New Media and the Digital Museum.

Neuberger Museum of Art
Purchase College
735 Anderson hill road
Purchase, NY 10577-1400



ergenekontc-spot

New work, Ergenekon.tc will be exhibited by Deluks on February 18th 2009 Wednesday. Official announcement below:

Deluks 01:
Burak Arikan – Ergenekon.tc

Music: Baris K.
Opening: 18.02.2009 Wednesday 19.00
You can visit the exhibition on Thu – Fri – Sat between 17.00 – 20.00.

“Every society has its diagram(s)”*

Ergenekon.tc shows the diagram of the society depicted in the 2455 page Ergenekon bill of indictment. Ergenekon is an illegal covert network found in Turkey, the lawsuit is in progress. Connections between the actors of Ergenekon including people, institutions, groups, places, theories, ideologies, and beliefs, together form a crack in Turkey. The complexity of this crack can not be explained with a single leader nor with a complete hierarchy. Ergenekon does not have a center, it is a decentralized network. Ergenekon network existed because it was able to diffuse in to hierarchical structures such as government and military organizations.

The Ergenekon.tc project does not look for a meaning in the complexity depicted by the Ergenekon bill of indictment, but signifies its complexity.

Ergenekon.tc combines two computer programs. The first program reads the 2455 page bill of indictment document, filters the nouns, and connects them based on their distance in the text. The second program visualizes this networked structure. In the resulting map, the size of fonts represents the frequency of the names, the relative distance represents relationship weights, dark colored areas show the centers formed by high connectivity.

The inspiration that triggered the Ergenekon.tc project is the digital illiteracy of the way bill of indictment presented by the Turkish court. The bill of indictment was first written in a digital form, then printed, scanned as images, made a PDF file, and distributed in this digitally illiberal form.

http://ergenekon.tc

* “Foucault”, Gilles Deleuze, Sean Hand. Continuum International Publishing Group, 2006

Burak Arikan
http://burak-arikan.com

Burak Arikan is an artist and researcher who focuses on creating networked systems that evolve with the interactions of people and machines. His work confronts issues ranging from cultural sustainability to micro labor and politics in networked environments. He shows the instances of these systems online and onsite through diverse media including prints, animation, software, electronics, and physical materials. His work has presented and performed internationally at institutions including Venice Biennale, MoMA, Ars Electronica, Neuberger Museum of Art, Sonar Festival, DEMF and at independent venues such as Art Interactive, Turbulence, Upgrade! International, and Hafriyat. He has lectured at institutions including Massachusetts Institute of Technology, Rhode Island School of Design, New York University, Istanbul Technical University, and Istanbul Bilgi University. Arikan is also a contributing author at dugumkume.org. In 2006 Arikan completed his master’s degree at the MIT Media Laboratory in the Physical Language Workshop (PLW) led by John Maeda.

Delüks
http://deluks.org

Delüks aims to generate ‘intellectual capital’ by converting the surplus time, place, and labor that fails to yield ‘financial capital’. We suppose that it’s possible to invest this capital in any medium that interests us. Since we are a distributed, un-hierarchical network of individuals from various backgrounds, our set of instruments extend into a suite that includes art, activism, cultural studies, criticism, etc. As demonstrated in ‘Ergenekon.tc’, a Delüks activity might consist of getting involved and providing support for anyone with a fresh perspective we trust.



turkey-elections-political-party-network

December 25th, 2008. I went to Istanbul for doing a 3 day workshop on networked information visualization, which was kindly supported by Istanbul Bilgi University. Worked with a diverse group of participants from various schools with backgrounds from visual arts to computer science. We covered basic network structure, network topologies, and clustering. We did hand drawn diagrams. Collected data by hand and by programmatic methods. Visualized relations using templates. As the final project, we worked on the database of the national elections in Turkey from 1960 to 2007. Turkey generally has 10 to 20 political parties per election. We looked at how the same representatives elected from different parties at each election. Above image shows the network of all the political parties between 1961 and 2007 (some parties do not exist today). The diagram is created by Mumin Aydin. Line thickness shows the amount of transfers between the parties. I didn’t know that politicians can change their ideology this much. Participants created network of political parties as well as cities connected by representatives. We concluded the workshop with a mini exhibition on the corridor, which was ironically overlapping with a conference titled Marxism 2008. Full documentation will be up sooner than later.

December 27th, 2008. Did a performance at the Gozel Geceler party, which was a technical fiasco. After the disastrous NYC Minitek Festival, this was the second time I had to go on the stage without sound / image check. Never recommended.

January 6th, 2009. New year’s first lecture at Bogazici University Complex Systems Research Lab. First, presented the principles for what I do, how I use the network structures and dynamics in my thinking and the network itself as the medium in my practice. Second, showed examples of work from 2005 to 2008. Discussed large scale networks and creative processes with Chris Stephenson, Haluk Bingol, Suzan Uskudarli, Onur Gungor and students from the Bogazici University.

January 22nd, 2009. Participated in Stuttgart Filmwinter’s Media-Space exhibition with MYPOCKET (movie from the installation) and Meta-Markets. Flickr set 1. Flickr set 2. The main question was: How do artists react to the complexity of this self-made global [financial] crisis? Other participants were Derivart, Interstella, Ge Jin, Ben Rivers, Semiconductor, SIDL Spatial Information Design Lab, Various Artists of NYTimes SE, UBERMORGEN, and Marius Watz. Olia Lialina and Dragan Espenschied organized a Wii Tennis Tournament at the Media-Space. Also I felt bad that I missed Daniel García Andújar’s POSTCAPITAL exhibition at Kunstverein Stuttgart.

January 28th, 2009. Basak Senova kindly invited me to do a presentation at the Upgrade! Istanbul meeting. I organized the talk around the criticism of micro labor in social network services. Started with a recipe on how to create a social network service. Followed with the measurability of the contemporary social environment, and discussed how even physical activities can easily be measured and are part of the digital cloud. Showed instances from the MYPOCKET project. Described the relations between a platform owner, an application developer, and a user in terms of the social web services. Showed instances from the Meta-Markets project.


Meta-Control at Peyote, Istanbul 2009 from arikan on Vimeo.

January 28th, 2009. After the Upgrade! Istanbul meeting did a Meta-Control performance with Klaustro’s music at Peyote. A fascinating Istanbul night of electronic music and live computer visuals. Video above by Devrim Kadirbeyoglu.

February 05th, 2008. Did a 2 day Networked Information Visualization Workshop in Kayitdisi Events at Yildiz Technical University, Istanbul. Participants studied the structure of networks and did basic network visualizations based on hand picked data.

Currently working on two upcoming exhibitions:

February 18th, 2009. Ergenekon.tc exhibition at Delüks, Istanbul.

March 12th, 2009. “New Media: Why” exhibition at Neuberger Museum of Art, Purchase, NY.



MYPOCKET Transaction Graph

Today I am giving a lecture titled “User Labor” at Neuberger Museum of Art. I will speak about the flaws I see in the Architecture of Participation –-data ownership, data valuation-– in relation to the User Labor project. We will discuss living physical/digital processes and aesthetics of extreme use in networks and their relation to contemporary art making. I will present instances from “MYPOCKET,” “Meta-Markets,” and “User Labor Markup Language (ULML).”

Also I am happy to announce that my work will be featured in the Neuberger Museum exhibition New Media: Why in March 2009.

* Image above is a shot from MYPOCKET Transaction Graph.



I am thrilled. Great to live at this moment.



After today’s bailout rejection and the big stock market drop, I checked out the full red Map of the Market, there was one spot still green, guess what: gold (Barrick Gold ABX). It is time to go back to make things, sell things, and count the money by hand.

* Click on the image to enlarge.



Last minute operation! After the Minitek show today, on Saturday night I will do another Meta-Control performance with Richie Hawtin at the Nocturnal Festival in LA. It will be at the Beatport Stage, see you if you are around. This time the Meta-Control pieces will be on a monster LED display, which looks something like the one in the image above (without the front rectangular screen).



Sep 12th, Friday at Minitek Festival, New York.
Penn Plaza, 401 7th avenue (between 33rd and 34th st) right in front of Madison Square Garden.
http://minitekfestival.com/innovation/night.html

This a 3 day party (12-14 Sep) of electronic music and art. I will perform three new pieces and new versions from the Meta-Control set (starting at 3am). Also Paul Prudence is performing on Saturday, Marius Watz is showing his Neon Organic, and James Patten is showing his super self-actuated table in the innovation pavilion.

Peter Kirn of CDM recently wrote about the event.

* Photo from the Meta-Control performance at TimeWarp 2007, Mannheim. In collaboration with Ali Demirel, performed with Richie Hawtin’s music.